The Samurai Museum

Shinjuku is a crazy part of Tokyo where anything can happen. Samurai have been portrayed in so many undignified and inaccurate ways. How bad can The Samurai Museum in Shinjuku be we asked ourselves: shall we risk it? Sam Knowlton is a Japanese history enthusiast, I studied up and toured the Samurai exhibition at LACMA and we did not want to be disappointed. We decided to go anyway.IMG_2905

And it was wonderful. We arrived and were immediately greeted and introduced to the armor by a delightful guide who spoke good English and was very, very knowledgeable. Not surprising:  Noguchi-san is the museum’s owner! He has assembled this collection over 7 years, and it is housed on  2 floors of an old building with small rooms, sliding doors and tatami mats. The labels and lighting are greatIMG_2907

We saw the progression of styles from 12/14th century Heian and Kamakura armor, and helmets through the  Muromachi and great Edo periods and ending with the Last Samurai during the Meiji time.

 

Noguchi-san unlocked cases and we held face masks (very heavy), swords (very sharp, he warned he had cut us his silk necktie by leaning over the sword) and guns (17th century matchlocks). Hey LACMA docents, that was FUN.

And finally, the photo studio where we dressed up and helped to tell you all about the museum by posting on Facebook.

Parading through Kanazawa

(Before we start: please let us know if you have any problems with all these photos in the blogs. Does it take too long for them to download?)

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Last weekend we took a trip to Kanazawa with our friends Sam and Brit Knowlton, from Austin, Texas. It is 2 1/2 hours on the new Shinkansen, in an area previously not easily accessible because of the mountain ranges. We arrived on a special weekend (ha! that is why hotel rooms were so hard to book): the parade for the Hyakumangoku Matsuri (百万石祭, meaning the festival of a million jewels) celebrating Lord Maeda’s arrival at the castle in 1583. Over 2,000 residents in full costume re-enact this historic event. We hope that this slideshow gives some idea of the excitement. We were at the castle when the parade arrived:  samurai, court ladies, cheerleaders, marching bands, boy scouts, taiko drums, ninjas, dragon dancers and acrobats……

We couldn’t help comparing this with events in the States. There were dozens of polite Event Staff, no metal detectors, no bag checks, and the few police were mostly involved in keeping Lord Maeda safe from his adoring fans – he was represented by a very popular Kabuki actor. There was no trash around, no yelling, or pushing, no fences or barriers. The only official warning  was prohibiting drones and selfie sticks, which can cause nuisance to the visitors!

Kenrokuen Garden is glorious, deservedly designated a ‘Cultural Property and National Site of Special Scenic Beauty’. It is a traditional strolling garden with ponds, waterfalls, paths, plants designed to reflect the seasons, every angle giving a different view, using  “borrowed” landscapes, and celebrating the Japanese love of nature. Look at how much care is taken to prop up the ancient trees.

Lunch, of course, and green tea ice cream with gold flakes. Kanazawa is where gold was mined, and gold leaf was made. The Gold leaf Museum gives a wonderful display of this process.

There is no main entrance to the glass, oval shaped 21st Century Museum of Contemporary Art – art should be approached from all sides, any angle.

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And who recognizes this installation? (with Fiona doing the docent thing!)

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(Answer available if you email us). Other exhibitions include Erlich’s Swimming Pool, 2004 and an imagined Land of Xijingman. Here is Michael in its immigration hall where you need to smile, dance and have a good attitude to enter.

More snacks. Cucumber on sticks and KitKat sake. Covers all food groups.

We wandered around the Edo period area, Higashi Kuruwa. Lovely lattice windowed shops and homes and here  is a restored, 2 storey tea house which was delightful

Time to go home, below see Michael in our hotel room with his wall-to-wall wingspan: we need some more space!

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Ending with a view of spectacular Kanazawa station architecture, the waterfall clock (accurate) and a station official who receives the exiting passengers’ neatly bagged-up trash.

And home on the Shinkansen . . .rice fields seen from train at high speed.

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A Day in My Tokyo Life

This was a terrific day and I would love to share it. I bought airmail stamps and mailed letters, cards and a parcel – all in Japanese at our local Post Office. Yes, it’s these simple achievements that can make us happy!

Google Maps cannot deal with huge cemeteries. My walk to The National Art Center was “18 minutes” but started to go around in circles in Aoyama Cemetery so I made a big mistake and asked two very little, very elderly ladies which direction to the museum. They were delightful but insisted on walking me somewhere (Google Maps now said “25 minutes”) until fortunately we saw a delivery chap on a bike, who insisted on walking me onwards…….We have encountered this kindness before – ask for directions and you will be escorted by someone who indicates it was where he/she wanted to go all along!

How could I possibly have missed this anyway? One of the largest, all glass buildings I have ever seen:

And inside there is space to land a plane. Three storeys each with 6 huge galleries, and a cafe on top of each inverted stone cone. I saw the Renoir exhibition, paintings from the Musee D’Orsay, on its 30th Anniversary (remember when it opened?). Beautifully exhibited, and I remembered how much I love his landscapes and still-lifes. Then – a wow of an exhibition in a gigantic gallery: Miyake Issey. I wondered at the colors, fabrics, shapes and sheer inventiveness of his costumes. How I wished I could see the  Invertigo dancers bring them to life!! No photos allowed, sadly. You can see the ‘flying saucer’ style hanging above the lobby. I will have to go back to his 3 shops which I passed in Omotesando and photograph their windows!

I know from Toby how hard it is to find practice space, and looks like Tokyo musicians have the same problem. I made another detour through the cemetery to find out who was playing Debussy’s Prelude L’Apres-midi d’un faune.

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Then a delightful break – a chalkboard at the entrance to a narrow alley included two words that popped out at me “after noon” and I recognized tea in kanji. It was a tiny room with two tatami mats and a small counter, 3 stools. Delicious green tea and adzuki jelly treats. Because I did exit through the gift shop I had a bag showing on it the logo for the National Art Center,  and the only other customer was a lady who had also seen the exhibitions. She had also visited Paris and the Musee d’Orsay two years ago so we had a great conversation. Some English, some Japanese, some pretty good acting and visual aids.

I carried on through the small back streets where all kinds of shops, cafes, and businesses can be seen and came across a little gallery with bamboo growing around it and a lively exhibition opening going on, was invited in and saw beautiful work by a local bamboo artist, whom I met.

There is so much going on around – and a walk through the city is always an adventure. Tomorrow’s museum is the Ota Memorial Museum and its latest rotation of ukiyo-e woodblock prints. However – now it is time to meet Shogo, Sumiyo and Sachiyo for dinner at Napule which has on its card “Innovazione Bio”.